20
Empty Mountain, No One To Be Seen
Deer Park 鹿柴
Empty mountain — no one to be seen,
yet voices are heard.
Returning sunlight enters the deep forest
and shines again on green moss.
— Wang Wei, translated by David Hinton, from Selected Poems of Wang Wei, New Directions Publishing
Thank you for calling The Botanarchy Hotline. The Botanarchy Hotline is medicine disguised as a poem, delivered through the portal of your phone. It’s a ham-radio séance between you and the living Earth, for those ready to be bewildered back to life.
The transmission at the end of your telephone line is Episode 20: Empty Mountain, No One to Be Seen. It’s the death rattle of January; the universe has withdrawn into its mystery school, and today on the hotline were coming to you live from the season of the occult and the obscure, where knowledge is transmitted sideways through shadow and soil, through what sleeps, stores, and waits beneath the surface.
This voice rises from the deepest still point of winter, the solar term known as Major Cold, winter after the explanations have run out. Major Cold is an apprenticeship conducted through mushroom and moss, wet wood and mycelium, through sleeping, storage, shadow, and survival. The ground is sealed, the sap withdrawn, and the animals who remain have aligned themselves with the season’s logic -- burrowing, hiding, waiting -- as outward growth gives way to a quieter, inward choreography.
This week’s poem is so quiet, it almost refuses to be read aloud. Deer Park opens onto a mountain emptied of figures, a landscape stripped of markers and narrative cues. And yet! The world is anything but vacant. Sound persists. Light returns. Moss continues its patient work in the shadows. Life moves laterally rather than forward.
Nothing happens here.
And yet everything happens here.
Empty mountain — no one to be seen,
yet voices are heard.
Returning sunlight enters the deep forest
and shines again on green moss.
— Wang Wei, translated by David Hinton, from Selected Poems of Wang Wei, New Directions Publishing
Thank you for calling The Botanarchy Hotline. The Botanarchy Hotline is medicine disguised as a poem, delivered through the portal of your phone. It’s a ham-radio séance between you and the living Earth, for those ready to be bewildered back to life.
The transmission at the end of your telephone line is Episode 20: Empty Mountain, No One to Be Seen. It’s the death rattle of January; the universe has withdrawn into its mystery school, and today on the hotline were coming to you live from the season of the occult and the obscure, where knowledge is transmitted sideways through shadow and soil, through what sleeps, stores, and waits beneath the surface.
This voice rises from the deepest still point of winter, the solar term known as Major Cold, winter after the explanations have run out. Major Cold is an apprenticeship conducted through mushroom and moss, wet wood and mycelium, through sleeping, storage, shadow, and survival. The ground is sealed, the sap withdrawn, and the animals who remain have aligned themselves with the season’s logic -- burrowing, hiding, waiting -- as outward growth gives way to a quieter, inward choreography.
This week’s poem is so quiet, it almost refuses to be read aloud. Deer Park opens onto a mountain emptied of figures, a landscape stripped of markers and narrative cues. And yet! The world is anything but vacant. Sound persists. Light returns. Moss continues its patient work in the shadows. Life moves laterally rather than forward.
Nothing happens here.
And yet everything happens here.
Within Xuán, movement begins as Dòng: the faint stirring that signals vitality without spectacle. Dòng is the earliest circulation, the quiet confirmation that something is alive and orienting itself, even when the surface remains unchanged.
In the older language of timekeeping, this dark stillness is never an ending. Even at the furthest edge of winter, something is already leaning in. In the I Ching, the period that corresponds to Major Cold belongs to the hexagram Lin: Approach, a configuration of Earth above Lake which speaks to stillness resting over gathered water. It describes a moment when the surface appears sealed, quiet, emptied of figures, and yet something is unmistakably drawing near. Yin has reached its fullness and, without announcement, begins to loosen its grip. Yang listens, then stirs. This is the kind of threshold Wang Wei was pointing to in Deer Park, an empty mountain where no one is seen and yet voices are heard. Watching. Waiting. Attention turning inward, then subtly outward again. Xuán holding its depth, and Dòng beginning its first, almost imperceptible circulation. A season where what matters most is not what moves visibly, but what is quietly orienting itself toward return.
In the Taoist cosmology -- in that ancient medicine that remembers how seasons move through flesh as faithfully as they move through weather -- this moment belongs to the element Water. And to the reservoirs of our water, the kidneys. And also to the emotion that accompanies depth, memory, and survival intelligence:
Fear.
(Cont’d below)
Book Rec: The Selected Poems of Wang Wei, tr. David Hinton